Written in 1954 and published in 1981, this fascinating study remains authoritative as an account of a body of opinion about women's nature and role that was in vogue in America during the first half-century after independence. Combining intellectual and social history, this work was one of numerous attempts being made at the time to add depth to American social history dealing with women and women's experiences before feminism. The author explores British sources of American thought as well, presenting an early comparative history, and offers a focus on religion to show how processes of change to ideas about women occurred.

Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

It's not easy to seem cool when the whole class knows you wear superhero underwear and your mom still kisses you goodbye at the bus stop. But Robbie York has a plan. 1) Get rid of the name Robbie. 2) Get jeans. 3)Avoid bullies like Bo Haney. If only it were that simple!

Written in 1954 and published in 1981, this fascinating study remains authoritative as an account of a body of opinion about women s nature and role that was in vogue in America during the first half-century after independence. Combining intellectual and social history, this work was one of numerous attempts being made at the time to add depth to American social history dealing with women and women s experiences before feminism. The author explores British sources of American thought as well, presenting an early comparative history, and offers a focus on religion to show how processes of change to ideas about women occurred.

Engaging with Asian Australian writing, this book focuses on an influential area of cultural production defined by its ethnic diversity and stylistic innovativeness. In addressing the demanding new transnational and transcultural critical frameworks of such syncretic writing, the contributors collectively examine how the varied and diverse body of Asian Australian literary work intervenes into contemporary representational politics and culture. The book questions, for instance, the ideology of Australian multiculturalism; the core/periphery hierarchy; the perpetuation of Orientalist attitudes and stereotypes; and white Australian claims to belong as seen in its myths of cultural authenticity and authority. Ranging in critical analyses from the historic first Chinese-Australian novel to contemporary award winning Sri Lankan, Bangladeshi and Filipino Australian novels, the book provides an inside view of the ways in which Asian Australian literary work is reshaping Australian mainstream literature, politics and culture, and in the wider context, the world literary scene. This book was originally published as a special issue of the Journal of Postcolonial Writing.

Rerouting the Postcolonial re-orientates and re-invigorates the field of Postcolonial Studies in line with recent trends in critical theory, reconnecting the ethical and political with the aesthetic aspect of postcolonial culture.

Bringing together a group of leading and emerging intellectuals, this volume charts and challenges the diversity of postcolonial studies, including sections on:

• new directions and growth areas from performance and autobiography to diaspora and transnationalism
• new subject matters such as sexuality and queer theory, ecocriticism and discussions of areas of Europe as postcolonial spaces
• new theoretical directions such as globalization, fundamentalism, terror and theories of a ~affecta (TM).

Each section incorporates a clear, concise introduction, making this volume both an accessible overview of the field whilst also an invigorating collection of scholarship for the new millennium.

This study discusses Adcock as a writer who draws on her experiences of dislocation in order to position herself between cultures. Contrasting her work with that of the post-war British poetic mainstream with which she has been associated, it emphasises that the radically displaced feminised consciousness which negotiates the boundaries between self and other can be identified in Adcock’s poetry as metonymic of resolving national and cultural differences. Wilson argues that displaced voices such as hers from white settler colonies like New Zealand now belong to multicultural Britain. Her close readings of Adcock’s verse in terms of its ironic double vision focus on the blend of classical restraint, wit, and humour, in relation to her complex revaluation of the diasporic imaginary of the exile. Claiming that Adcock’s personal mythology, based on her divided nationality and gendered consciousness, recalls writers like Jane Austen and her fellow expatriate, Katherine Mansfield, Wilson argues that the best of her work transcends the immediate problems of her age.

The Routledge Diaspora Studies Reader provides a comprehensive resource for students and scholars working in this vital interdisciplinary field. The book traces the emergence and development of diaspora studies as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. It also includes seminal essays that have been selected specifically for this collection, as well as one brand new paper. The volume presents: introductions to each section that situate each work within its historical, disciplinary, and theoretical contexts; essays grouped by key subject areas including religion, nation, citizenship, home and belonging, visual culture, and digital diasporas; writings by major figures including Robin Cohen, Homi K. Bhabha, Avtar Brah, Pnina Werbner, Floya Anthias, James Clifford, Paul Gilroy, and Salman Rushdie. The Routledge Diaspora Studies Reader is a field-defining volume that presents an illuminating guide for established scholars and also those new to diaspora.

Engaging with Asian Australian writing, this book focuses on an influential area of cultural production defined by its ethnic diversity and stylistic innovativeness. In addressing the demanding new transnational and transcultural critical frameworks of such syncretic writing, the contributors collectively examine how the varied and diverse body of Asian Australian literary work intervenes into contemporary representational politics and culture. The book questions, for instance, the ideology of Australian multiculturalism; the core/periphery hierarchy; the perpetuation of Orientalist attitudes and stereotypes; and white Australian claims to belong as seen in its myths of cultural authenticity and authority. Ranging in critical analyses from the historic first Chinese-Australian novel to contemporary award winning Sri Lankan, Bangladeshi and Filipino Australian novels, the book provides an inside view of the ways in which Asian Australian literary work is reshaping Australian mainstream literature, politics and culture, and in the wider context, the world literary scene. This book was originally published as a special issue of the Journal of Postcolonial Writing.

Cotton Mather called them "the hidden ones." Although historians of religion occasionally refer to the fact that women have always constituted a majority of churchgoers, until recently none of them have investigated the historical implications of the situation or v the role of woman in the church. But the focus of church history has been moving toward a broader awareness, from studying religious institutions and their pastors to studying the people--the laity--and the nature of religious experience. This book explores the many common elements of this experience for women in church and temple, regardless of their differences in faith.

The Routledge Diaspora Studies Reader provides a comprehensive resource for students and scholars working in this vital interdisciplinary field. The book traces the emergence and development of diaspora studies as a field of scholarship, presenting key critical essays alongside more recent criticism that explores new directions. It also includes seminal essays that have been selected specifically for this collection, as well as one brand new paper. The volume presents: introductions to each section that situate each work within its historical, disciplinary, and theoretical contexts; essays grouped by key subject areas including religion, nation, citizenship, home and belonging, visual culture, and digital diasporas; writings by major figures including Robin Cohen, Homi K. Bhabha, Avtar Brah, Pnina Werbner, Floya Anthias, James Clifford, Paul Gilroy, and Salman Rushdie. The Routledge Diaspora Studies Reader is a field-defining volume that presents an illuminating guide for established scholars and also those new to diaspora.

Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments. The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance.

From the earliest weaves uncovered by archaeologists to today s machine-produced, scientifically advanced fabrics, textiles have had a profound influence on civilization. As technologies change and world economics influence the direction that fashion and textiles take, it is vital that both skills and our textile vocabulary should be kept alive. This encyclopaedia is a definitive reference guide to all the major types of fabric in circulation today, from abbot cloth to zibeline. In clear and engaging language, the author describes and illustrates more than 600 of the most important examples, from classic tweeds to state-of-the-art nano fabrics. Each entry includes a brief definition, informative notes on structure, and a list of uses. More than 700 color illustrations show a fabric s weave, texture, and other defining characteristics at a glance, and helpful diagrams demonstrate the structure of the most important types of textiles. The book concentrates on textiles in current use, but it also covers obscure or obsolete terms that one might come across and that might still have something to teach today s designers, manufacturers, and textile historians. Each entry is carefully cross-referenced, and the book includes an extensive glossary and bibliography.

From New National to World English Literature offers a personal perspective on the evolution of a major cultural movement that began with decolonisation, continued with the assertion of African, West Indian, Commonwealth, and other literatures, and has evolved through postcolonial to world or international English literature. Bruce King's extensive Introduction discusses the personalities, writers, issues, and contexts of what he considers the most important change in culture since Modernism. The Introduction also explains the forty-five essays and reviews he has selected from his publications to illustrate the development, stages, and major national literatures, authors, and themes. Special attention is given to Nigerian, West Indian, Australian, Indian, and Pakistani literature. Topics and issues include: "Derry" Jeffares organising Commonwealth and Anglo-Irish studies, the emergence and aesthetics of African literature, the question of the existence of a "Nigerian literature", the place of the new universities in decolonising culture, the influence of the Rockefeller Foundation, the contrasting models of American and Irish literatures, ethnicity as response , the changing nature of exile and diasporas, the role of Jewish writers, minorities, Muslim objections to free speech, The Satanic Verses controversy, traditionalism versus modernism, the dangers of cultural assertion, and the relationships between nationalism and internationalism. Authors discussed include Chinua Achebe, Ahmed Ali, Margaret Atwood, David Dabydeen, K N Daruwalla, Nissim Ezekiel, Abdulrazak Gurnah, Almagir Hashmi, Attia Hosain, A D Hope, Adil Jussawalla, Arun Kolatkar, Hanif Kureishi, Dom Moraes, Frank Moorhouse, V S Naipaul, Abioseh Nicol, Gabriel Okara, Mike Phillips, Mordechai Richler, Salman Rushdie, Wole Soyinka, Garth St Omer, Kamila Shamsie, Randolph Stow, Jeet Thayil, and Derek Walcott.

This is a critical comparative study of contemporary world literature, focused on the importance of the ethical turn (or return) in literary theory. It considers the shape and development of the ethical engagement of the novels of Amitav Ghosh, Chimamanda Adichie, Caryl Phillips, Kazuo Ishiguro, Zadie Smith, and JM Coetzee, exploring the overlaps and divergences between Levinasian/Derridean and Aristotelian ethics as they are brought to bear on literature. The characters' recognitions and emotional responses in these texts are integral to the unfolding of their ethical concerns, and the ethics thus explored is often marked by the complexity and impurity characteristic of the tragic. A view of recognition is advanced that shifts it from the more usual political understanding in the field towards seeing it as a formal device used to unfold an ethical knowledge peculiar to fictional narrative, and particularly suitable for the concerns of world literature authors in its interconnection of the universal and the particular -- a binary that has been crucial in post-colonialism and remains important for the wider field of world literature. The analysis unfolds with a focus on three broad ethical themes -- religion, the memory of violence, and the human-eliciting the novelists' contributions to these debates through the investigation of the functioning of moments of recognition in their novels.

Dan Davin a Rhodes scholar, and for many years and one of New Zealand's acknowledged masters of the short story was born in Invercargill, New Zealand in 1914. The Gorse Blooms Pale gathers together twenty-six stories and a selection of poems reflecting his experiences while growing up in an Irish-New Zealand farming family in early twentieth-century Southland. Comic, haunting, compelling, poetic, lyrical, and entertaining, these stories have a regional flavor quite unlike any other body of work in New Zealand literature. They insightfully capture the character of an idiosyncratic rural community its post-British social relationships and tribulations with a flair equal to such other New Zealand writers as Sargeson, Frame, Middleton, or Marshall. The Gorse Blooms Pale is a rare treasure in the landscape of twentieth-century New Zealand literature.

The ground-breaking essays gathered in this volume argue that global paradigms of World Literature, often referencing the major metropolitan centres of cultural and literary production, do not always accommodate voices from the margins and writing within minority genres such as the short story. Katherine Mansfield is a supreme example of a writer who is positioned between a number of different borders and boundaries: between modernism and postcolonialism; between the short story and other genres (like the novella or poetry, or non-fiction, such as letters, diaries, reviews, and translations); between Europe and New Zealand. In pointing to the global production and dissemination of short stories, and in particular the growing reception of Mansfields work worldwide since her death in 1923, the volume shows how literary modernism can be read in a myriad of ways in terms of the contemporary category of new World Literature.

Includes a literary reflection on Mansfield's work by award-winning novelist Ali Smith. Katherine Mansfield: New Directions brings together leading international scholars to explore and celebrate the modernist short fiction writer, Katherine Mansfield. Reassessing Mansfield's life, work and reputation in the light of new research in literary modernism the book maps new directions for future Mansfield studies in the twenty-first century. Drawing on current work from postcolonial studies, eco-criticism, affect studies, book, periodical and manuscript studies, and auto/biographical and critical-theoretical approaches to her life and art as well as new archival discoveries, this is an essential contribution to our deepening understanding of a central modernist figure.

The quirky art of quilling--using strips of paper that have been rolled, shaped, and glued on edge to create decorative designs--is explored in this informative handbook. Combining the expertise of four quilling experts, crafters will learn how to create quilled wild flowers and fun, three-dimensional characters, how to scale down to make incredible miniatures, and how to create quilled borders and motifs to decorate papercraft or other projects. Full details on the materials and tools needed for the projects, photographic walkthroughs of the techniques utilized to complete them, and templates are also included.